Archdaily

Displacement is usually understood through movement: the moment people are forced to move from one place to another. Yet from an architectural perspective, that movement is only the beginning of what comes next. A house may need to be rebuilt, an entire community relocated, or everyday life reestablished somewhere completely new. What is lost through displacement is not always something architecture can simply replace.

Located in Kaohsiung, southern Taiwan, the project occupies the terminus of a narrow dead-end alley, enclosed on three sides by neighboring residences and a school. With only a single point of access, the site is constrained by limited accessibility, daylight, and natural ventilation. In contrast, its adjacency to the school's sports field introduces an unexpected visual openness, providing a rare spatial relief within the dense urban fabric and becoming the project's primary environmental asset.

The UNESCO World Heritage Committee has inscribed Aalto Works, a collection of thirteen buildings and architectural ensembles across Finland designed by Aino Marsio-Aalto, Elissa Aalto, and Alvar Aalto, on the UNESCO World Heritage List. The designation recognizes the international significance of a body of work that helped redefine modern architecture through a human-centered approach, emphasizing the relationship between buildings, everyday life, nature, and social well-being. Spanning projects completed between the late 1920s and the 1980s, the series represents Finland's contribution to the Modern Movement while acknowledging the collaborative practice of the Aaltos and their studio.

Where the Haussmannian and Faubourg urban fabrics meet, the project at 206 Rue Lafayette transforms a diverse site comprising eight buildings arranged around a central courtyard.

The European Cultural Centre Italy has announced the finalists of the ECC Awards, presented as part of Personal Structures – Confluences, the eighth edition of its international contemporary exhibition, running in parallel with the Venice Art Biennale. Running in Venice from 9 May to 22 November 2026 across Palazzo Bembo, Palazzo Mora and the Marinaressa Gardens, the exhibition provides the backdrop for the awards, which celebrate artistic practices engaging with the show's theme, Confluences, through research, interdisciplinarity and dialogue with place. The winners will be announced on 22 November 2026, during the exhibition's closing event.

Central America's nations occupy a narrow land bridge between Mexico and Colombia, but they were not born as separate countries. They emerged from a single entity: the Federal Republic of Central America in 1823. That federation collapsed, yet the ideal of a unified region never fully died. In 1951, the governments signed the Charter of San Salvador, creating ODECA, the Organization of Central American States. Four decades later, the 1991 Protocol of Tegucigalpa replaced it with SICA, the Central American Integration System, the framework guiding regional cooperation today. Within this integration process, the Central American Bank for Economic Integration (BCIE) was founded in 1960 by Guatemala, El Salvador, Honduras, and Nicaragua, establishing its headquarters in Tegucigalpa. On the surface, it is a conventional late-20th-century office complex, but look closer at its façade, and the building becomes an argument about identity. One written in pink quarry stone from the very hills that surround the Honduran capital.

Hyangrindongsan in Dongbaek-dong, Yongin, is an established residential enclave where detached houses are scattered along the edge of forested slopes. Positioned according to the natural topography, the houses, retaining walls, trees, and level changes overlap to create layered visual connections, guiding the eye from intimate gardens toward the distant landscape. Located midway up the hillside, the site naturally frames views of the surrounding village and woodland.

The Melody House, designed by Ar. Arpan Shah, is a residence designed for a Gujarati family whose lives are deeply intertwined with art and music. Located on the outskirts of Ahmedabad, the house draws inspiration from the spatial richness of the city's traditional havelis while reinterpreting these principles through a contemporary architectural language.

Recorded live at Milan Design Week 2026 in partnership with INDX|GLOBAL, the tenth episode of the Room For Dreams podcast looks at how buildings outgrow their original blueprints. Architects Parvez Alam and Priyanka Arjun, alongside interior designer Aditi Sharma, discuss why the best architecture is never truly finished.

This project centers on an innovative interplay between two contrasting materials: felt and metal. Connected by custom triangular fasteners, these disparate materials are integrated and recontextualized. This juxtaposition softens the cold, austere quality of metal while unleashing the sculptural, three-dimensional potential of felt. By introducing felt as a modular element within the spatial narrative, the design transcends conventional material boundaries, achieving a balanced, symbiotic relationship.

Casa Sabina transforms a family home into a residential complex that preserves the memory of an existing house while adapting it to new ways of living.

The project is located on an agricultural plot defined by the Muda Detailed Plan, in the Rural Intervention Zone – South, in the municipality of Grândola, Portugal. The land area is generous, with approximately 5 hectares, allowing for a 500m2 building away from the access road and other neighbors. The new building was placed in the central area near the western building boundary, in an area where there was a small clearing and on the border between pine vegetation and a small watercourse with other species such as deciduous trees.

The style is characterized by eclectic, bolt and vibrant designs, and an explicit need to imbue a more sophisticated identity to those who wish to distinguish themselves by transcending fashion boundaries.

In a mid-20th-century building in Higienópolis, Lucas Jimeno Dualde transforms a 280-square-meter apartment into something akin to a domestic temple. Its frugal architecture eliminates visual and material noise to focus attention on the experience of the body, light, color, and objects. The building does not claim a place in the modernist pantheon. It is simply a good residential building with a generous floor plan, like so many that shaped Higienópolis between the 1940s and 1960s.

The C+C House reimagines a 1930s brick house in Toronto's Humewood Cedarvale neighbourhood. Conceived as an exercise in adaptive reuse, the project transforms a compartmentalized urban home into a contemporary residence tailored to a dynamic family of four.

The Vergalderie is located in the small mountain village of Gargellen, nestled in a side valley of the Montafon region at an altitude of 1,530 meters. The tranquil, minimalist structure, topped with a simple gable roof, houses three holiday apartments for short-term stays and a central gallery space for contemporary art.

Mycology for Architecture explores how mycelium – the root network of fungi – as a living material is transforming architecture into a discipline that is not only sustainable but regenerative, adaptive and deeply entangled with ecological systems. Bringing together leading researchers, practitioners and educators, it charts how living matter is reshaping the way we conceive, fabricate and inhabit built environments.

Organised in three parts, the book begins by positioning mycelium as an alternative to conventional construction materials, with applications ranging from bricks and skins to adaptive structures and even space habitats. The second part turns to the methods and practices of

ONRAMP 8 captures the culminating thesis work and final projects of SCI-Arc’s Undergraduate, Graduate, and Postgraduate programs for the 2024–25 academic year. Edited by Marcelyn Gow under the editorial leadership of Director and CEO Winka Dubbeldam, the publication presents a wide-ranging body of work that confronts climate resilience, artificial intelligence, advanced fabrication, and new material systems. Developed within SCI-Arc’s experimental studio culture, these projects reflect the institution’s commitment to critical inquiry, technological advancement, and speculative design. Richly illustrated and thoughtfully organized, ONRAMP 8 serves as both an academic archive and a forward-looking survey of emerging architectural thought.

Claying Architecture: Making Machine and Material Kin presents a curated collection of essays, interviews, and projects from leading architects, designers, and researchers who are analyzing the role of clay 3D printing in contemporary architecture. The book blends research, theory, and practice to highlight how this ancient material is being reimagined through 3D printing, robotic fabrication, and innovative construction techniques. Through original essays and project showcases, Claying Architecture brings together 30 plus voices from contemporary architectural academia and practice to interrogate why clay is a protagonist in contemporary architecture as an agent capable of binding new kinships between processes, environments, and

Theme
“Living with Children”

We are looking for proposals such as:
・Furniture or woodwork products that ignite children's creativity and encourage independence.
・Designs that help children experience the joy of saying, “I did it myself.”
・Furniture that reduces everyday family stress and enables comfortable coexistence between children and adults.
・New solutions that support modern family lifestyles.

For CDM Digi Fab COMPETITION 2026, CAINZ, with its expertise in consumer-focused product development and distribution; KOKUYO, with its expertise in furniture and spatial design; and VUILD, with its digital fabrication technology and implementation expertise, will collaborate to explore the potential for new value creation enabled by digital fabrication technology and